Status : Verified
| Personal Name | Taniegra, Abigail G. |
|---|---|
| Resource Title | Redefining auralities : integrating deaf cultural theory through multisensory integration and sense memory with musique concrète techniques into the sound design of Sarah Kane’s 4.48 Psychosis |
| Date Issued | 5 June 2025 |
| Abstract | Sound is commonly defined as vibrations and sound waves that are perceived by the ears. However, this study challenges this traditional definition by exploring how aural experiences extend beyond hearing through the multisensory integration of vibrational perception and visual cues. Deaf sound artists such as Christine Sun Kim and Evelyn Glennie share insights into their experiences of sound through different sensory modalities—visual cues for Kim and vibrational sensations for Glennie. This study also further investigates how moving away from conventional sound design practices in theater can be possible through experimental compositional techniques, such as musique concrète, noise compositions, and sound collage, where snippets of sound come together to form a musical composition. The incorporation of vibrational design and experimental sound techniques is applied to the sound design of the post-dramatic play 4.48 Psychosis by Sarah Kane. The results are based on the design process, research immersion, audience feedback, and informal interviews. |
| Degree Course | Bachelor of Arts in Theatre Arts : Technical Theatre and Design |
| Language | English |
| Keyword | Theater for deaf people--Philippines; auralities, sound design, Deaf Cultural Theory, Deaf studies, Multisensory Integration, sense memory, musique concrète, theatre; Sound design; Theaters—Sound effects |
| Material Type | Thesis/Dissertation |
Preliminary Pages
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Category : F - Regular work, i.e., it has no patentable invention or creation, the author does not wish for personal publication, there is no confidential information.
Access Permission : Open Access